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Voice & Narration pricing

Voice & narration is priced per finished episode, or per finished minute for audio post. Everything below is either a published rate of ours or a US market range — not one of them is a number invented to fill a gap.

What we charge

Podcast episode

$165.00 per episode

Edit, cleanup, levels, music and a master at the right platform target.

  • Up to 60 minutes of runtime
  • Noise, hum and click repair
  • Mastered to your platform target
  • Corrected transcript on request
Get this quoted

Audio post for video

$95.00 per finished minute

Dialogue, effects and music mixed against the picture and its loudness spec.

  • Dialogue edit and repair
  • Sound design and music balance
  • ATSC A/85 or platform target
  • Stems and M&E delivered
Get this quoted

Dedicated engineer

$85.00 per hour

An engineer in your session format, your naming, your delivery spec.

  • Your DAW and session structure
  • Agreed weekly delivery windows
  • Archive of every session
  • Monthly invoicing
Get this quoted

What this costs across the US market

These are typical American market ranges, not our quote for your job — we have not seen your files. They are here so you can tell a reasonable number from an unreasonable one, including when the unreasonable one is ours.

Typical US market ranges for Voice & Narration
Type of work Typical range What that buys
Podcast episode Edit, cleanup, levels, music, mastered to a podcast target. Priced per finished episode.
Commercial and corporate audio Voice-over finishing, sound design, mixing to a broadcast or platform spec.
Audio post for video Dialogue editing, effects, music and a mix delivered against the video's loudness target.

What actually moves the price

Runtime and raw material
Three hours of recording for a thirty-minute episode is an editorial job, not a cleanup job.
Recording quality
One track per speaker in a quiet room is straightforward. Four people on one microphone in a reverberant room is expensive, and the ceiling on the result is lower.
How much repair is needed
Noise reduction, de-reverb and clip repair are slow, and past a point they stop helping.
Sound design
Music editing, effects and custom beds are creative work with their own hours.
Number of versions
Different loudness targets, stems, an M&E version for localization — each is a deliverable.
Transcript accuracy
A raw automatic transcript is cheap. A corrected one with names and jargon right is a person's time.

How long it takes

Typical phase durations
PhaseUsual duration
Assessment Same day for most material
First edit 2–4 business days
Revisions 1 business day per round
Mix and master 1–2 business days
Rush Overnight, priced accordingly

Priced separately inside Voice & Narration

Before you ask

The questions that come up on most voice & narration inquiries.

Can you rescue a bad recording?
Sometimes, and we will tell you honestly before you pay. Noise reduction, de-reverb and clip repair all work up to a point, and past that the artifacts are worse than the problem. If a section is beyond rescue we say so and suggest re-recording it rather than charging you for a result neither of us would be happy with.
What loudness should my podcast be?
Apple Podcasts publishes guidance around −16 LUFS for stereo, and −19 LUFS is the common mono convention. Platforms normalize on playback, so mastering louder than the target gains nothing and costs you dynamics. Broadcast is a different number entirely — ATSC A/85 at −24 LKFS in the US. Tell us where it publishes.
Why do you want one track per speaker?
Because two voices on one track cannot be leveled independently. If one person is quiet and the other is loud, nothing can fully fix it afterward. It costs nothing at the recording end and saves an hour at the editing end on every episode. It is the single highest-return change most shows can make.
Do you supply stems?
Yes, where they are useful — dialogue, music and effects as separate groups alongside the master. That makes a later change possible without a remix. An M&E version, which is music and effects without dialogue, is what you need if the piece will ever be dubbed into another language. Ask for it up front; building it retrospectively costs more.
Is the transcript machine-generated?
Only if you want it cheap. A raw automatic transcript is quick and gets names, jargon and product terms wrong. A corrected transcript is a person's time and is quoted as such. For anything published or used for accessibility, the corrected one is the one that counts.
Is the free trial really free?
Yes. What the trial covers differs by discipline — two images, a 30-second cut of your own footage, one mastered episode, a technical review of a page you already own — and each service page says which one applies. No card, no invoice, no subscription that starts quietly afterward. It is done by the same people who would do the paid job, to the same standard, because a trial that flatters the work is useless to both of us.
How fast can you turn work around?
Most image work comes back in 6 to 24 hours. Video and 3D depend on the shot and the length, and we tell you the turnaround in the quote rather than after you have committed. If you have a deadline that cannot move, say so in the brief. We will tell you honestly whether we can hit it.
How do you price the work?
By what the job actually involves, not an average. A clipping path around a box and one around a bicycle are different amounts of work, and so are a two-minute explainer and a two-minute product film. The unit differs by discipline: per image, per finished minute, per episode, per product, per project, or monthly for retained work. Every service has a pricing page with our published rates and the US market ranges beside them, so you can sanity-check any quote including ours.

Want the real number rather than a range?

Send the brief and a couple of sample files. You will get a fixed price rather than an estimate, usually within one business day, and nothing starts until you say yes.