Categoría · 754 artículos

Edición y producción de audio

Diálogos que suenan naturales, mezclas que resisten el altavoz de un teléfono y entregas conformes a las especificaciones.

Music Licensing and Clearance: What Actually Works

Obtaining the rights to use a piece of music for a specific purpose, in a specific territory, for a specific period. Key takeaways Two rights: the composition,...

Tomas Lindqvist 11 de septiembre de 2026 27 min de lectura

Edición y producción de audio

Sample Rate and Bit Depth, Done Properly

The two settings that define digital audio resolution: how often the signal is sampled, and how finely each sample is quantised. Key takeaways Recording bit dep...

Tomas Lindqvist 11 de septiembre de 2026 26 min de lectura

Edición y producción de audio

Mixing for Multiple Playback Systems, Done Properly

Checking a mix on several kinds of speaker so it holds up on the ones the audience will actually use. Key takeaways Reference practice: check on monitors, headp...

Tomas Lindqvist 10 de septiembre de 2026 26 min de lectura

Edición y producción de audio

A Practical Guide to Noise Floor and Recording Environment

The constant background level of a recording space, and the treatment and discipline that keep it low enough not to matter. Key takeaways Common sources: ventil...

Tomas Lindqvist 10 de septiembre de 2026 27 min de lectura

Edición y producción de audio

How to Get Audio Compression and Dynamics Right

Controlling the difference between the loudest and quietest parts of a signal, using compressors, limiters, gates and expanders. Key takeaways Threshold: the le...

Tomas Lindqvist 10 de septiembre de 2026 26 min de lectura

Edición y producción de audio

Audio Branding and Sonic Identity: What Actually Works

The deliberate, repeated use of sound — a logo, a voice, a music palette — so a brand is recognizable before anything is seen. Key takeaways Common elements: an...

Tomas Lindqvist 10 de septiembre de 2026 27 min de lectura

Edición y producción de audio

Remote Recording and Double-Enders: The Decisions That Matter

Recording contributors in different locations, with each side recorded locally at full quality and combined afterward. Key takeaways Double-ender: each particip...

Tomas Lindqvist 9 de septiembre de 2026 26 min de lectura

Edición y producción de audio

Transcription and Audio Accessibility: The Decisions That Matter

Providing a text version of spoken audio so it can be read, searched and used by people who cannot or do not want to listen. Key takeaways WCAG requirement: a t...

Tomas Lindqvist 9 de septiembre de 2026 26 min de lectura

Edición y producción de audio

Surround and Immersive Audio: The Decisions That Matter

Mixing for more than two channels — from 5.1 through to object-based formats that place sound in three dimensions. Key takeaways Channel-based formats: 5.1 and...

Tomas Lindqvist 9 de septiembre de 2026 26 min de lectura

Edición y producción de audio

Audio File Formats and Delivery, Done Properly

Choosing the container and codec for a deliverable, and knowing which are appropriate for archiving, editing and distribution. Key takeaways Lossless formats: W...

Tomas Lindqvist 9 de septiembre de 2026 26 min de lectura

Edición y producción de audio

How to Get Sound Effects and Foley Right

Creating or sourcing the individual sounds a scene needs — footsteps, handling, impacts, movement — and placing them convincingly. Key takeaways Foley: performe...

Tomas Lindqvist 8 de septiembre de 2026 26 min de lectura

Edición y producción de audio

A Practical Guide to Audio Post-Production for Advertising

Finishing sound for commercials, where the duration is fixed, the loudness is regulated and the approval chain is long. Key takeaways Duration: exact, to the fr...

Tomas Lindqvist 8 de septiembre de 2026 26 min de lectura

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