Edición y producción de audio
Dither and Bit Depth Reduction: What Actually Works
Adding a small amount of noise when reducing bit depth, such as from 24-bit to 16-bit, to avoid distortion from truncation. Key takeaways When to dither: when r...
Tomas Lindqvist
Imagen y sonido. Escribe sobre edición, color, sonoridad y especificaciones de entrega, incluidas las que hacen que se rechacen entregas.
375 articles
Edición y producción de audio
Reverb and Delay, Done Properly
Effects that add space and depth to audio, reverb by simulating reflections in a room and delay by repeating sound after a set time. Key takeaways Reverb parame...
Edición y producción de audio
Noise Gates and Expanders, Done Properly
Dynamics processors that reduce level when audio falls below a threshold, used to cut background noise between phrases or bleed between microphones. Key takeawa...
Edición y producción de audio
Stereo Imaging and Mono Compatibility: The Decisions That Matter
How sound is placed across the stereo field, and whether a mix still sounds correct when played back in mono on a single speaker. Key takeaways Panning: places...
Edición y producción de audio
How to Get Phase and Polarity Right
The timing and waveform alignment between microphones or tracks recording the same source, which affects fullness and clarity when they are combined. Key takeaw...
Edición y producción de audio
Room Acoustics for Recording: What Actually Works
How a recording room's reflections, resonances and background noise affect voice and music recordings, and how treatment differs from soundproofing. Key ta...
Edición y producción de audio
ADR and Dialogue Replacement: The Decisions That Matter
Automated dialogue replacement, re-recording lines in a studio to replace or fix location dialogue that is noisy, wrong or unusable. Key takeaways Process: acto...
Edición y producción de audio
A Practical Guide to ACX Audiobook Requirements
The technical requirements for audiobooks distributed through ACX to Audible, Amazon and Apple Books, covering levels, noise, format and file structure. Key tak...
Edición y producción de audio
Background Audio and Speech Clarity: What Actually Works
Balancing music and effects under speech so dialogue stays clear, including the WCAG guidance on background audio. Key takeaways WCAG 1.4.7 Low or No Background...
Edición y producción de audio
Public Domain and Royalty-Free Music: The Decisions That Matter
The difference between music in the public domain, which anyone may use, and royalty-free music, which is licensed for use without per-use royalties but still u...
Edición y producción de audio
Headphones and Monitoring for Editing, Done Properly
Choosing and using headphones and speakers for audio editing, and checking work on the devices listeners actually use. Key takeaways Closed-back headphones: iso...
Edición y producción de audio
How to Get IVR and Phone Audio Right
Recording and formatting prompts for phone systems, such as menus and hold messages, which play through narrow-bandwidth telephone audio. Key takeaways Common f...
Load more articles
Showing 48 of 375